“Lucia Puenzo’s drama XXY probes the psychological aftereffects that adolescent transsexuality can yield. With a name easily applicable to either gender, young teenager Alex’s (Ines Efron) hermaphroditic physiology causes a massive identity crisis and severe emotional withdrawal. The problems create social problems in the family’s home of Argentina and virtually force Alex and his/her sympathetic parents, Kraken (Ricardo Darín) and Suli (Valeria Bertuchelli) to move to nearby Uruguay, at a point when Alex wrestles with the throes of puberty. The situation grows increasingly complex when several friends of the family arrive: marrieds Erika (Carolina Pelereti) and Ramiro (German Palacios), a plastic surgeon, and their adolescent son, Alvaro (Martin Piroyanski), whom Alex instantly propositions for sex. As Alex battles some local punks who try unsuccessfully to rape him/her (saved at the last minute by Kraken), Alvaro finally accepts Alex’s promptings for intercourse and comes to a gradual realization of his own gayness. Meanwhile, the rift between the adults and the youth widens with increasing rapidity.” ~ Nathan Southern, Rovi
Just got this in the mail, can’t wait to watch it!
Häxan (Witchcraft Through the Ages), 1922
Medieval methods of torture used to force victims into the confessions necessary for execution.
(Source: dodsrike)
My good friend, former roommate, and future collaborator Carlos Londono is debuting his film “All Wars End” at the Fort Lauderdale Film Festival tomorrow night. Its also doubling as a fund raiser for The Wounded Warriors of South Florida as the film is about a US Marine dealing with Post Traumatic Stress Disorder (PTSD).
If you live in South Florida and want to go its this Tuesday at 7pm at Cinema Paradiso. If you can’t make it because you live in New York or California or some other far away locale you can still help out veterans and their families dealing with the devastating effects of PTSD by donating.
As you can see by the preview Carlos is a talented young filmmaker and I can vouch for him being a real stand up human being. Hopefully you will see something here in the next few months about us doing some short film together. Hope to see you there. Thanks for your time and support. - Jade Bos
EVENT: Colourfest Sydney, Australia - September 12th, 2012
‘Kemi’ is a 79 minute drama feature film produced in Australia by a Nigerian writer/producer.The story entails the conflict and dramas of a community of African immigrants and refugees that have settled in Blacktown in the last 12 years, told primarily through ‘Kemi’, an unemployed Nigerian immigrant teen girl who unknowingly wrecks havoc in her community through gossip.Based on true stories that have occurred in the small African community, the film features actors cast mainly from the community itself with style of acting and storytelling unique to Nigerian cinema.
ALSO SCREENING AT THIS SESSION a short film by Hawanatu Bangura: Money Tree - An animation about a boy who tries to escape poverty by planting an orchid of stolen money.
The official trailer for Walking in Darkness.
Refugees at a isolated displacement camp in Southwestern Ghana talk about their struggles to stay alive after escaping rape, torture and death in their home countries.
Directed by Myles Kwesi Hutchful.
(Source: vimeo.com)
“Class Dismissed” - A film worth looking at and looking for support
I received a wonderful request for participation from a filmmaker. She has a great project and if you want to or are able to - help her make this film, I think the world might be a little better for it.
~arvan
Hi! :)
My name is Sara Koffi. I’m a plus sized, African-American aspiring filmmaker and screenwriter. I’m from Memphis, TN and have been “knocking” on Hollywood’s door for the past two years. My artistic focus has always been on creating something that would depict honest experiences.
(receipt)
But…I’ve learned that reality and Hollywood don’t always get along. After getting an offer to present my work in the “right” way (none of that topic, too much of that topic, etc), I decided to go another route. I realized that I’d have to be in charge of the full creative process if I wanted to create something less problematic. Something genuinely hilarious and poignant, that wouldn’t rely on stereotypes for the sake of entertainment (because that’s pretty gross).
So I came up with Class Dismissed.
Class Dismissed is a feature length dramedy about Christy, a plus sized escort and Aubrey, a chronic overachiever with some coming out to do. It follows their college lives a few days before Aubrey’s parents are coming over to visit and before Christy meets a confused conservative type who she maybe kinda’ likes.
I’ve got the background, the ability and the ambition…But not the funds to make this movie happen. Which is why I’m writing you. I only ask from support from the people that want the same thing I do: less problematic entertainment. I want Class Dismissed to be genuinely body positive, genuinely LGBT* positive, genuinely sex positive (no slut shame in my game) and genuinely based on the realities of college.
If you’d like to share this idea, the link is below:
http://igg.me/p/187967?a=936110
Thank you so much!
Peace and love,
Sara Koffi
(Source: lonermanifesto7)
04 “How We Look” CUT BACK: facing ageism
In part 4 of CUT BACK: facing ageism we explore the topic of how our appearance is perceived by others? Some advisors tell “What does a company expect?” “Don’t look dowdy.” Other topics that are explored: We can’t be 16 again, look the best you can look. What niche do you fit into? Looking the part. Young culture. Photographer talks about shooting old people. Featuring: street interview in Denver, Joanne Waters, Kathy Diekmann, Rachel Conine, Miriam Levenson, Leslie Lewis, Elisabeth Zamarelli, Troy Aossey and James Lansing.
Click on the Thumbnail to watch the video
Or visit http://mywebgossip.info/04-how-we-look-cut-back-facing-ageism/
Submit your feminist films to the London Feminist Film Festival!
The London Feminist Film Festival will take place over a weekend in November 2012. The festival aims to counterbalance the mainstream film industry’s narrow representation of women and its neglect of women’s issues by showing a selection of films made by women filmmakers from around the world. The films will be feminist either in their representation of women and/or their handling of feminist issues.
Deadline: 31 August 2012.
General rules:
• Women directors from any country may enter.
• Films should deal with feminist issues and/or be feminist in their representation of women.
• Films can be of any length or genre.
• Non-English language films must be presented in English-subtitled versions.How to submit:
Click on the Donate button below to pay your submission fee via PayPal or with a credit/debit card. Submission fee is £5 per short film and £10 per mid–full length (30+ minutes) film.
Email submissions.lfff@gmail.com with a link to your film online or to request the postal address for submitting via DVD. Please include the following information in your email:
• Film director’s name, contact details, and short biography
• Title of film
• Year of production
• Country of production
• Film credits (producer, writer, etc)
• Synopsis of film including why you think it is suitable for the festival
• Length of film in minutes
• Where it has been screened before, if applicable
• PayPal payment confirmation numberSuccessful applicants will be notified by 21 September 2012.
— David Cronenberg David Cronenberg on the Human Technological Conduit | DINCA (via border-studies)
As a feminist who enjoys a lot of genres that aren’t usually lady-friendly, it always irks me when people claim they have strong, feminist characters in their stories, but in reality they’re neither of those things. Sometimes a character’s qualities are debatable, but I wanted to make a list of things that don’t necessarily make a strong female character:
1) She is a woman/girl. Okay, so you created a female character. That’s a good start. But even Bella Swan from Twilight is a woman and I wouldn’t call her a good representation of feminism and modern womanhood. Is your character reflective of real women, or is she part of a stereotype? Do you even know the kinds of problems real women face? Does she face appropriate obstacles?
2) She can kill people, ergo she is a strong woman. Being a strong woman does not necessarily mean she can bash in skulls or toss people across the room. It means that she is psychologically, emotionally, and sometime physically well developed and can hold her own against opponents. Yes, it is refreshing to see female characters that are not physically wimpy and dependent, but if her character isn’t fully fleshed out, she’s just a tool. Try to make your female characters as complex and realistic in the story as possible.
3) She is a feminist. Okay, who says she’s a feminist? You, or her actions? Being a feminist is more than just saying “I’m a feminist.” Does she illuminate women’s issues during her story arc? Does she legitimately stand for all women’s rights, or just a stereotype of women’s rights (i.e. fauxminism)? Don’t make a straw feminist (see Feminist Frequency’s video on the Straw Feminist).
4) She doesn’t act like other women. Okay, this is really common in genres like fantasy and scifi, and it’s really problematic. First, you are assuming that all women act in a certain manner, which is not the case. Second, this most likely means that you are not writing a female character, you are writing a male character with boobs. This isn’t necessarily a good representation of womanhood. The point of avoiding stereotypes and cliches when writing for a female character is not to eliminate femininity and womanhood, but instead to adopt a more enlightened and diverse perspective on womanhood. Many things factor into a woman’s life that make her unique from other women. You have to consider things like class, race, culture, situation, history, and other perspectives that you design for her. This is also why it’s important to have multiple women in any story, because if you write five very diverse male characters but only one female character, it is easy to assume from the audience’s perspective that all women behave as that one female character does, and this is part of why sexism is so prevalent in media today.
5) She is the main character. Again, this kind of goes back to point #1. It is great to have women in main roles instead as just a sidekick or love interest, but if she isn’t a well developed, strong, and complex character, there’s really no point for her to even exist, other than to maybe be eye candy or a foil for a scenario.
I could go on and on and on forever and ever about sexism in media, mostly in fantasy, scifi, and horror (which are my favorite genres), but that would take way too long and I have to make a taco pizza (that’s a pizza with taco ingredients for toppings, if you were wondering). If you’re interested in this sort of stuff like I am, then check out Feminist Frequency. They offer great videos on a variety of topics concerning women in media. These were mostly just some tips I wanted to offer for young writers, film makers, game designers, comic artists, and other crafters of media about handling women in media. If people like this post, I may consider doing one for queer people, too…
a list of films that I will watch over and over again
(just in case anyone cares or is so thoroughly bored that even this minutiae gets a read)
~ arvan
- Mary Poppins
- Wizard of Oz
- Frankenstein
- The Great Race
- 2001: A Space Odyssey
- Star Wars
- A Clockwork Orange
- Rocky Horror Picture Show
- Apocalypse Now
- Repo Man
- Diva
- Field of Dreams
- Z
- Alphaville
- Man Bites Dog
- Betty Blue
- His Girl Friday
- Rio Bravo
- Metropolis
- M
- Dersu Uzala
- Sandakan 8
- The Third Man
- My Dinner With Andre
- The Princess Bride
feel free to respond / reblog with your own




