Thursday, May 16, 2013
Leaving is not enough. You must stay gone. Train your heart like a dog. Change the locks even on the house he’s never visited. You lucky, lucky girl. You have an apartment just your size. A bathtub full of tea. A heart the size of Arizona, but not nearly so arid. Don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. You had to have him. And you did. And now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. Make the first bottle you consume in this place a relic. Place it on whatever altar you fashion with a knife and five cranberries. Don’t lose too much weight. Stupid girls are always trying to disappear as revenge. And you are not stupid. You loved a man with more hands than a parade of beggars, and here you stand. Heart like a four-poster bed. Heart like a canvas. Heart leaking something so strong they can smell it in the street. Frida Kahlo  (via inthemidstoflovelyambiguity)

(Source: opulate)

Never to Forget

ambercullensalvatore:

Arundhati Roy

To love.
To be loved.
To never forget your own insignificance,
To never get used to the unspeakable violence
and the vulgar disparity of life around you.
To seek joy in the saddest places.
To pursue beauty to its lair.
To never simplify what is complicated
or complicate what is simple.
To respect strength, never power.
Above all, to watch.
To try and understand.
To never look away.
And never, never to forget.

Wednesday, April 3, 2013
whaat:

>TERMINAL is a post-human literary magazine about the romance between man and machine. We are seeking submissions of poetry, fiction and creative non-fiction that explore the changing relationship between man and technology.Check us out here.

whaat:

>TERMINAL is a post-human literary magazine about the romance between man and machine. We are seeking submissions of poetry, fiction and creative non-fiction that explore the changing relationship between man and technology.

Check us out here.

Thursday, February 28, 2013

[poem] the dog barks

the dog barks

within the fence, but 

outside the house.

through the cold of winter,

the searing dry of summer, and

the rains between them -

the dog barks.

barking at the house

brings food or the boot; 

teaching the dog restraint.

barking at the bodies

outside the fence,

the dog seeks company 

in the faces of fear.

outside the fence

there are fields and trees,

food in unseen kitchens, 

the touch of strangers

that the dog will never know, 

and the dog barks.

———

All rights reserved, 2013

Monday, December 17, 2012

m23anthony:

FTM Slam Poem

Morgan Anthony

Friday, December 7, 2012

dulce:

Honoring la mujer peligrosa, Tatiana de la Tierra…QDEP

Friday, October 12, 2012
ذكّرني ما أنسى من نفسي محمد حسن علوان (via rimeswriting)
Friday, September 21, 2012

dulce:

Honoring la mujer peligrosa, Tatiana de la Tierra…QDEP

Thursday, September 13, 2012

dancing-with-diversity:

bulinachinashop:

Spoken word poet Ee’da performs her piece “Fade to White”

[TW: colorism]

(Source: oakfool)

Tuesday, September 11, 2012 Friday, August 31, 2012
shwetanarayan:

Stone Telling 8 is up!  & as we say in the intro:
In “Snowbound in Hamadan,” Sofia Samatar says: “The anthologist’s art / is the art of choice.” This issue’s poems create us from bronze and bone, from names and grandmother’s soup, from a beloved one’s hair and from a dead man’s manuscript pages. Yet other poems speak of violent acts — not of creation but of construction, acts of naming us into a shape we are not, or do not wish to hold. They speak of resistance, sometimes violent, sometimes quiet, blooming — like the speaker in Adrienne J. Odasso’s “Tables Turned” — “much brighter, fire-wild orchid, than you’d permit”; they reclaim a right to choose. And so we come full circle to the anthologist, and the art of telling and retelling our stories until they grow fire-wild through hurts and blessings both.

shwetanarayan:

Stone Telling 8 is up!  & as we say in the intro:

In “Snowbound in Hamadan,” Sofia Samatar says: “The anthologist’s art / is the art of choice.” This issue’s poems create us from bronze and bone, from names and grandmother’s soup, from a beloved one’s hair and from a dead man’s manuscript pages. Yet other poems speak of violent acts — not of creation but of construction, acts of naming us into a shape we are not, or do not wish to hold. They speak of resistance, sometimes violent, sometimes quiet, blooming — like the speaker in Adrienne J. Odasso’s “Tables Turned” — “much brighter, fire-wild orchid, than you’d permit”; they reclaim a right to choose. And so we come full circle to the anthologist, and the art of telling and retelling our stories until they grow fire-wild through hurts and blessings both.

Monday, August 27, 2012

poeticoldsoul:

Spoken Word: “I’ve Had Peace” - Plus Shout-Outs! (by poeticoldsoul)

Wednesday, August 8, 2012

For the Men Who Still Don’t Get It

utes4lyfe:

What if 
all women were bigger and stronger than you 
And thought they were smarter 
What if 
women were the ones who started wars 
What if 
too many of your friends had been raped by women wielding giant dildos 
and no K-Y Jelly 
What if 
the state trooper 
who pulled you over on the New Jersey Turnpike 
was a woman 
and carried a gun 
What if 
the ability to menstruate 
was the prerequisite for most high-paying jobs 
What if 
your attractiveness to women depended 
on the size of your penis 
What if 
every time women saw you 
they’d hoot and make jerking motions with their hands 
What if 
women were always making jokes 
about how ugly penises are 
and how bad sperm tastes 
What if 
you had to explain what’s wrong with your car 
to big sweaty women with greasy hands 
who stared at your crotch 
In a garage where you are surrounded 
by posters of naked men with hard-ons 
What if 
men’s magazines featured cover photos 
of 14-year-old boys 
with socks 
tucked into the front of their jeans 
and articles like: 
“How to tell if your wife is unfaithful” 
or 
“What your doctor won’t tell you about your prostate” 
or 
“The truth about impotence” 
What if 
the doctor who examined your prostate 
was a woman 
and called you “Honey” 
What if 
You had to inhale your boss’s stale cigar breath 
as she insisted that sleeping with her 
was part of the job 
What if 
You couldn’t get away because 
the company dress code required 
you wear shoes 
designed to keep you from running 
And what if 
after all that 
women still wanted you 
to love them.

- Carol Diehl

Monday, July 9, 2012
kauft:

I google’d manliest man and this fella came up.

I am a sad sad sad little man today.

kauft:

I google’d manliest man and this fella came up.

I am a sad sad sad little man today.

Sunday, July 1, 2012
I really miss seeing a woman’s clit get hard before my very eyes, before devouring it with my soft lips & flickering tongue. From my Twitter ;)~ (via poeticoldsoul)